Monday, November 2, 2015

a lloyd llullaby fable



once upon a propitious journey to the llovely llowland where the northern skies glowed a frigid blue, the mildly exhausted wanderer floated through the window of an enchanted hotel and down a long rabbithole hallway...



in search of the longed for bed, or perhaps even the very very long long bed that she had once heard about...
she slid down the cliched magical staircase from the ancient time of the tiny travelers...


only to find a much too small bed caged within a cage - and unmade to boot...


rounding the corner, an ethereal lacy bubble rolled her down the most pristine ramp...


to an even smaller bed, where she was sure something was still sleeping in it!


finding her way to one of the many institutionally tiled stairways, yet still possessing of such transportive powers, she descended upon another level...


to another endless corridor of closed secretive doors with mysterious numbers and symbols, but one was left quite seductively ajar...


the haphazard wanderer crept in, only to find a pile of giant books of convenience to elevate her


to a short flight of steps leading to two unassuming armchair thrones, again for those little voyagers of olden times, but still no bed for her size [where is goldilocks when you need her most??]


unfazed, she returned to the bookroom and found the great book of architectural dilemmas to consult...


and it revealed to her the way to the hidden, except for a sign indicating in bright dutch orange letters, lobby of the voracious cultural embassy...


where an impeccably dressed cultural bass presumed that she was another anticipated royalty with a penchant for multi-storey mattresses [the previous one found the pea and had a royal fit, nosebleeding all over the virgin snowrug!]


quickly escaping the apologetic bass and the still to be cleaned up mess, the tiring wanderer bounced onto the pile of mattresses and hid amongst the nonsensical textual leaves drooping from above...



eventually finding an objectively unobtrusive opening to crawl through ...


and emerging into a sunlit room where the fabled unicorn of yore lounged sleepily on a red-striped chaise, feeling a little over-stuffed from a lloyd-vintage lunch...


he looked up, a little surprise to find a timid intruder, but kindly pointed the way [with his horn, of course!] to an illusive miniature building perched on a precarious shelf of enlightening books...


within this deceptively undersized lodge were several trickster stools that were not what they appeared to be, obviously!


meaning they looked soft and wobbly, but they were really hard as nails, maybe more like concrete...


this dubious but artful piece of furniture shifted her perspective above to a vast conundrum where she had to cross the suspended petit pont d'amour, being careful not to fall into the yellow river of floating seasonal squash...


and then finally, finally, the much weary wanderer located the precise door to the charmed chamber with just the right size bed - still unmade, damn it!


to while away the time, she reached for the great book of soporific music by casper howeler [really??]


and settled into the most visceral chair she could find [the viscera-like padding was a dead giveaway!], and promptly fell into a deep sleep, dreaming only of nijntje/miffy the dutch rabbit hopping madly round and round the canals of amsterdam...






I had the pleasure of a recent stay at this wonderfully eccentric hotel that was once a more serious hotel for even more exhausted emigrants on their journeys to South America, and later also a seriously sad jail for juveniles, and then wildly creative artists occupied it for a while before its latest manifestation as an artsy hotel with an uber-cool cultural embassy programming art and design events in situ.

[If it is haunted, I must admit that I was wondering as I drifted off to sleep...and instead dreamt of a chubby well-fed unicorn trotting through the multi-spatial dimensions of the lloyd llullaby universe...]


Monday, November 12, 2012

rietveld-schroderhuis


oil and pencil on beechwood panel [35 x 28cm]


The Rietveld-Schroder House in Utrecht has been on my must-journey-to list of architectural pilgrimages and I finally had the chance to slot it in during this trip to Holland...
Anyone remotely cognizant of the history of design will have seen an image of this seminal house published somewhere in design journals and books over the years - it being the poster domus for the architectural manifestation of the early modernistic movement according to the influential dutch De Stijl principles.
Built in 1924, almost a century ago now, it looks as fresh and innovative as it did when it jigsawed up at the end of a row of traditional dutch houses backing onto misty farmers' fields.
The story behind its conception and realization is the story of a man and a woman collaborating pragmatically [as the dutch are prone to do!] on a project that suited both their temperaments and talents satisfactorily.
The architect Gerrit Rietveld (1888-1964) had been designing furniture [most well-known is his Red and Blue Chair, 1917] before this first commission for a house from a determined widower, Truus Schroder-Schrader, who envisioned an unconventional setting to bring up her young family in.


oil and pencil on beechwood panel [30x25cm]

The rhythmic collage of vertical and horizontal planes in white and grays and punctuated by strips of black and primary colours on the asymmetrical exteriors are reminiscent of Piet Mondrian's geometrical paintings of the same period...[Mondrian being another important figure in the De Stijl artist group] - and it remains one of the most visually arresting buildings from this era...


oil and pencil on beechwood panel [30x25cm]

The highlight for us was, of course, a tour of the interior [which had been arranged by appointment months ahead!]  We donned vinyl covers over our shoes before entering and were  guided, then partly left alone when a group of students came in shortly after us. I respected the no photographing request by the guide - although I had many chances to cop a shot when she was tending to the students!
The detailing and built features within the house are a revelation of the experimental results and ingenious adaptations of the two collaborators - the application of Rietveld's integrative [and often playful] ideas and Schroder-Schrader's concept of living "consciously and actively", of creating participatory spaces that can be opened or closed, that flow in and out, that are multi-functional and solitary.
Floor to ceiling door panels to close off bedrooms slide open completely to enlarge spaces on the upper floor; furniture were built-in and affixed in certain spots; wood shutters to cover the large windows can be cumbersome and somewhat awkward to put in place; small balconies protrude from every "room" to step out for fresh air; and then there are the small charming attention to privacy and personal space, such as individual cubbyholes for the mail of each occupant and the clearly marked "intercom" system for deliverers of grocery...

A prominently lettered designation for delivery persons ["boodschappen" = grocery] to communicate with the inhabitants within - there is a mouthpiece [="spreekbuis" sign under the grey square patch with round opening to speak into] that is connected to a "hose" inside extending to the upper level to announce themselves and receive attention.

Only Rietveld could design a one-legged bench that is as simplistically functional and elegantly provocative as this...

Both Rietveld and Schroder-Schrader lived out their years in this house,evolving the spaces according to their needs and changing circumstances. Rietveld died here in 1964, and his patroness and housemate some 20 years later in 1985.
It is always somewhat disconcerting and altogether poignant to be actually within the space of such an intimate house, albeit a most famous one - to circulate and touch the materials and objects, to sense the energy that created every aspect of it, to know a little of the lives that once moved about, to follow the northern light that falls upon the painted surfaces...


Since 2000, the Rietveld-Schroder House has been preserved  as a UNESCO World Heritage Site :: "an icon of the Modern Movement in architecture and an outstanding expression of human creative genius in its purity of ideas and concepts as developed by the De Stijl movement. With its radical approach to design and the use of space, the Rietveld-Schroderhuis occupies a seminal position in the development of architecture in the modern age."

[The house has been fully restored to its original configuration and is maintained by the Centraal Museum in Utrecht.
Reservations required for visits.]

RIETVELD-SCHRODERHUIS
Prins Hendriklaan 50
Utrecht, the Netherlands

[The three paintings above can also be seen on my painting site:: ginaverster.blogspot.com]


Friday, August 31, 2012

het schip



On an overcast morning that promised rain, we were determined to find Het Schip before being drenched.  We kept on walking, got lost, and finally had to ask for help from various passersby, only getting the right direction from a bike store owner...
Het Schip is one of three monumental public housing blocks in the Spaarndammerplantsoen [park] designed by Michel de Klerk, perhaps the most well-known of the architects from the Amsterdam School, an artistic movement founded in 1915 that encompassed all the design and decorative arts and especially a more expressionistic and creative architectural style.
This complex with the post office corner that resembles the prow of a ship, hence the name, was completed in 1921and is wedge-shaped in layout thereby bounding a large triangular courtyard.  It was originally comprised of 102 residences for labourers, a school [that was already there and had to be carefully integrated into the block], an assembly room and a post office [which is now a museum].
Het Schip is distinguished by the innovative use of bricks, tiles, the many charming sculptural ornamentation by Hildo Krop, imaginative window designs, and even the typography is exclusively Amsterdam School.









Wednesday, August 8, 2012

amsterdam slokje


Amsterdam never fails to instil a sense of home, a very delightful sense in fact - and we always look forward to a return... sadly, the grand canal house above [the largest of them on the Amstel Canal] is no longer in the family and we are relegated to stay in a more modest one around the corner on the Prinsengracht [the most lovely Hotel Orlando , below]


*****

this gracious hallway in another canal house leads into FOAM - Fotografiemuseum - where we wandered around stately rooms full of contemporary and innovative dutch photo-art...


*****

ever exhilarated by progressive dutch creativity, we tumbled into the moooi wonderland of design delirium with gravity defying artwork to precariously perched furniture to glowing protonic doorknobs to ethereal floating light spheres...



*****

taste sensations are more traditional, ranging from the elegant street fish stands for a raw herring power snack any time of day to hourly marathon of dim sum in Chinatown to stacked to the attic purveyors of great wheels of cheese to precious patisseries presented like bejewelled baubles in spotlit glass cases...




*****

dropped dutch diction...

determined dutch-chinese...
[like our mooi kroost!]