Showing posts with label doors. Show all posts
Showing posts with label doors. Show all posts
Friday, December 30, 2011
shading off...
"Le voyageur marchant sur son ombre écrit
sans attendre que le ciel marque minuit
sous le bataille de plumes la pierre sonne."
[last verse from "Sonnet" by Alfred JARRY (1873-1907)]
[translation from the french by Francis Scarfe::
"The striding traveller writes his shadow down;
not waiting for the sky to strike midnight
the feathers hammer on the chiming stone."]
Saturday, November 26, 2011
danish flourishes
The young thinker ambles through the narrow streets of his assembled city, his mind churning constant flourishes of philosophical abstracts - sticking his leather gloved finger into the soiled commons of existence, and smelling nothing, he sequesters the questionnaire eternal, the gilded irony of an earnest life...
He sits awhile on the curved stone bench, sheltered from pithy elemental assaults - but not the stench of abject humanity - and yet the textual flourishes assail from behind, the backward comprehension of things that cannot be understood but for a curious twist of the fountainhead...
He passes by a grand portal of bronzed archaic contortions and observes the exuberant youth as yet uncrushed by the storms of life - they who smile their expectant smiles, with no need for the nightwatch explanation of the flourishes of profane love...
"Inasmuch as in being published it is in a figurative sense starting a journey. I let my eyes follow it for a little while. I saw how it wended its way down solitary paths or walked solitary on public roads... - On the other hand, inasmuch as in being published it actually remains quiet without moving from the spot, I let my eyes rest on it for a little while. It stood there like a humble little flower under the cover of the great forest, sought neither for its splendor nor its fragrance..." Copenhagen, May 5, 1843
[the above partial quote is excerpted from the Preface to 'Eighteen Upbuilding Discourses' by Soren Kierkegaard (1843-44), as translated by Howard V. Hong (1990)]
He sits awhile on the curved stone bench, sheltered from pithy elemental assaults - but not the stench of abject humanity - and yet the textual flourishes assail from behind, the backward comprehension of things that cannot be understood but for a curious twist of the fountainhead...
He passes by a grand portal of bronzed archaic contortions and observes the exuberant youth as yet uncrushed by the storms of life - they who smile their expectant smiles, with no need for the nightwatch explanation of the flourishes of profane love...
"Inasmuch as in being published it is in a figurative sense starting a journey. I let my eyes follow it for a little while. I saw how it wended its way down solitary paths or walked solitary on public roads... - On the other hand, inasmuch as in being published it actually remains quiet without moving from the spot, I let my eyes rest on it for a little while. It stood there like a humble little flower under the cover of the great forest, sought neither for its splendor nor its fragrance..." Copenhagen, May 5, 1843
[the above partial quote is excerpted from the Preface to 'Eighteen Upbuilding Discourses' by Soren Kierkegaard (1843-44), as translated by Howard V. Hong (1990)]
"once you label me you negate me"
[he continues to sit in the tranquil courtyard garden of the Royal Library where the birch trees still flourish into the late fall and where youth's exuberant expectancy passes him by daily in its unceasing attempt to understand which are the things that cannot be understood...]
Tuesday, June 15, 2010
pamplona/iruna
Pamplona...Iruna...basking in the kingdom of Navarre...
where the sun also rises, but did not show itself to us...
where the drizzle-drenched streets narrow through tall tight buildings in the casco viejo [old city]...
where we [disappointedly] did not run into any rampaging bulls...
where Hemingway still stands guard in front of the third largest bull-ring in the world...
where even the most foolhardy pilgrims sat this weekend out to indulge in more comfort pintxos [Basque tapas]...
where we set foot on the slippery bridge of the departure point for the spanish leg of the El Camino de Santiago, only to wander as far as the cavernous and populous Café Iruna where we were no longer the loneliest and hungriest people in a softly raining Spain...
where the sun also rises, but did not show itself to us...
where the drizzle-drenched streets narrow through tall tight buildings in the casco viejo [old city]...
where we [disappointedly] did not run into any rampaging bulls...
where Hemingway still stands guard in front of the third largest bull-ring in the world...
where even the most foolhardy pilgrims sat this weekend out to indulge in more comfort pintxos [Basque tapas]...
where we set foot on the slippery bridge of the departure point for the spanish leg of the El Camino de Santiago, only to wander as far as the cavernous and populous Café Iruna where we were no longer the loneliest and hungriest people in a softly raining Spain...
Friday, July 17, 2009
de porte en porte
I know doors are a clichéd architectural feature to photograph, but every once in a while, I can't help myself!
and behind every closed door lies a mysterious interior and the secret ebb and flow of lives unseen...
through a locked and rusty iron gate and shaded by an unkempt garden, we imagine shifting shadows behind dusty window panes...but the white door appears unopened for a long time...
I peek through the crack and spy dirt floor and abandoned detritus scattered about under decades-thick dust...
another lost in time church we could not enter, especially this side door being slowly sealed up by creeping ivy...but through the crack, the light can still get in...
the odd placement of a small planter on the threshold must trip some hobbits up!...but the shaping of the large stone frame is most voluptuous...
and back on the côte sauvage, narrow doors buffer against the strong winds and other wild tempestuous beings!
the delicacy of the brick work against the salt-encrusted stone walls betrays perhaps a more refined soul within, forever peering out through the small round window above towards the crashing green waves...
and behind every closed door lies a mysterious interior and the secret ebb and flow of lives unseen...
through a locked and rusty iron gate and shaded by an unkempt garden, we imagine shifting shadows behind dusty window panes...but the white door appears unopened for a long time...
I peek through the crack and spy dirt floor and abandoned detritus scattered about under decades-thick dust...
another lost in time church we could not enter, especially this side door being slowly sealed up by creeping ivy...but through the crack, the light can still get in...
the odd placement of a small planter on the threshold must trip some hobbits up!...but the shaping of the large stone frame is most voluptuous...
and back on the côte sauvage, narrow doors buffer against the strong winds and other wild tempestuous beings!the delicacy of the brick work against the salt-encrusted stone walls betrays perhaps a more refined soul within, forever peering out through the small round window above towards the crashing green waves...
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